Documenting acoustic guitar and obtaining excellent results can be a trial. There are so many variables that come into play from the player, a guitar itself, to the types and positions of the microphones you choose to use. Very good results. a little planning and consideration to feature it is possible to create really great-sounding tracks. best mic for acoustic guitar
How to begin?
The location to get started is at the source of your sound. Before you ever before hit that record button, make sure that your guitar is studio ready. Your strings should be reasonably fresh and there ought to be no discernible rattles and bruit coming from the acoustic guitar.
The recorded sound of your acoustic guitar will vary greatly depending after the gauge of gift items you choose to play, so decide ahead of time what sound you aren’t after. A heavier see will naturally produce a thicker, heavier sound. The result might be a little too tubby to slice through an ordinary mix, but might be just right for a sparse guitar/vocal arrangement. A lighter gauge string will have more cut, but going too light may sound too thin.
You must make sure that your guitar is in tune and stays in tune! I can’t stress enough the value of looking at your tuning regularly between takes. It’s frustrating having to re-record an different perfect take due to a rather out-of-tune line.
When your guitar is ready to go, choose the spot where likely to be sitting. An appropriate stool in the midsection of the room is a great idea, but make sure the stool doesn’t creak when you shift your weight! When recording classical acoustic guitar, a good condenser mic will pick up any unwanted noise, and if it’s a sparse tracking, you’ll hear everything. Become aware of any clothing or accessories that you wear. Belt buckles, pointe on your jeans, bracelet, watches and rings all potentially have to tap against your instrument and damage a good take.
Traditional acoustic instruments thrive in a live-sounding room. If your room is actually useless due to wall-to-wall carpets and soft furniture, try inserting a sheet of plywood or hardwood on the floor directly below the guitar. If the room is too clear, the resulting sound can be too bright and tinny. If this is the case, consider hanging some blankets around to minimise the standing surf.
Which Mic to decide on?
Hoping you have more than one type of microphone, which one/s should you choose when recording traditional acoustic guitar? Generally, the fondre microphone is the main one most recording engineers grab. A large number of people prefer the audio of a tiny diaphragm fondre, also known as a pencil condenser, on traditional instruments. Large ones also work well, however the pen type appears to be the microphone of choice due to its ultra-responsive, smaller, lighter-mass diaphragm.
Naturally, we should never forget that recording music is a creative art form. So have fun and experiment with different mics and make a decision for yourself which ones you like the best.
A more important decision than the microphone you choose to use is where you put it. Here are a few of the most frequent microphone configurations for documenting acoustic guitar:
Using 1 Microphone
When using one mic, a good starting point is aiming a tiny diaphragm condenser at the place where the neck of the guitar joins the body, at a distance of 6th to 12 inches. Going the mic slightly toward the sound hole will produce a warmer, larger properly moving it toward the fretboard will produce a thinner sound.
The area directly in entrance of the sound pit should probably be averted as the sound here is often rather boomy. To get a fuller sound without the boominess, try positioning the mic over a sound hole, looking down at it. You can also try aiming the mic at the passage, but be certain to avoid the acoustic shadowing of the player’s arm.